The collective shoots in 16mm, so HD isn't coming anytime soon. It does create the grainy effect at times, but lends itself to a more artistic/richer picture. It is also much harder to work with, you can't just dump the footgae to a computer like any 12 year old.
Let me preface what I will say next. Also though I consider myself a 'prosumer' in the realm of video, I cannot hold a candle to the guys from the collective. I still thought a review would be fun.
My Review:
INITIAL IMPRESSION: The boys from the collective were behind the eight ball almost immediately becuase the first film was so well recieved. Bike films have a whole "bigger and better" mentality each year. So making a film that surpassed the first was going to be difficult.
The finish on this film is not as good as the first. The DVD menu looks like it was rushed through post production as an after thought. They did some nice composting with the map and the whole "ROAM' motif, but nothing truly unique. The three screen split horizontally I have used quite a bit myself. I was far more impressed with the four screen splits that started the Collective. The difference in the time involved between 3 and four screens is very large.
I was also not a fan of the packaging. I tend to travel a lot with my Bike films, and the cardboard on the case is already showing wear. I will probably just drop the disc in a proper empty case from now on.
FOOTAGE: ROAM only has one or two true "HOLY SH*T" moments. However, the reason I love this film is that it gets me stoked to ride. It shows flow and speed better than any film I have ever seen. The entire Idaho segment is just two guys ripping single track, yet I still loved it. ROAM shows you the possible, rather than the impossible. The long cable shots are amazing as well, though they do not compare with the Wade Simmons segment on NWD this year, which blew my mind.
For comparison sake, my favorite scene in the collective was Hawaii, so there is no surprise that I like watching riding, not just big hits.
The scenery and the beauty of ROAM gets top marks. The music is always fresh and appropriate. Original tunes are definitely a highlight that most films seem to lack these days.
The narration was suspect. I started to think this was a movie I might show a first time rider. It was almost an introduction to MTB at times. ROAM has a pretty core audience and we know about WBP and Moab. These don't need to be explained. Narration is always a fine line, and I actually liked the little rant about what ROAM is to start the film.
SPECIAL FEATURES: ROAM gets top marks for sharing the creative process with its viewers. I love watching the set up of a cable shot and what goes into scoping lines. This tickles my fancy, but isn't for everyone. The rest of the sponsor stuff is pretty generic contract obligation footage.
FINAL THOUGHTS: This movie remains a must own. It seemed about 1 segment too short to me, but it was still a great film. It isn't easy to match a first hit, and I thought this was a worthy attempt. It wasn't quite as good as the collective, but it did get me stoked. Two fingers off the brake levers.